The Four Tops – “Bernadette”

When: 5 May 2010
Where: San Francisco State University
Who: Several people
Weather: Warm, sunny

Through some loophole in the system, I was allowed to take a graduate-level music course. Because of budget cuts, I was unable to take any classes of real value, so I settled for Dean Suzuki’s Origins of Rock class with ill-hidden excitement.

It was a great class. All you did was sit and listen to old rockabilly, 60s pop and soul music and learn about that world (essentially an academic version of the early installments of No Hard Chords). And while I may have had difficulty memorizing the names of Brill Building composers, I welcomed the opportunity to relax before lunchtime every Tuesday and Thursday.

For a brief week, I became obsessed with this song, not just because I’d heard it in Suzuki’s class, but it had also been the subject of someone else’s term paper in another class– Music Ideas in Culture, or as I called it, Exercises in the Overintellectualization of Popular Music. I could have done without that class if I hadn’t taken so much joy in doing a presentation on “Eleanor Get Your Boots On” and watching Thirty-Two Short Films About Glenn Gould.

And as the semester neared its end, my mood drastically improved. The promise of college had finally delivered, with a circle of friends, a venue to perform, and the fact that I actually enjoyed my classes. I hadn’t loved San Francisco so much since that fateful spring weekend two years before.

So naturally, it was time to get the hell out.

Next: Chekhov’s opening act

Vampire Weekend – “Taxi Cab”

When: 19 April 2010
Where: Fox Theater Oakland
Who: Ambiguously Jewish Ashlie
Weather: Mild, clear
Book: Outliers by Malcolm Gladwell

Not wanting to make the mistake I did at the Arctic Monkeys concert, I made sure I had someone to go see Vampire Weekend with. Ambiguously Jewish Ashlie jumped at the opportunity. We met downtown and our differing perspectives on music became apparent– she didn’t have bad taste, you see, but rather on the BART she described to me her adoration for “girl groups.” I had only seen one girl group, The Like, who’d opened for Arctic Monkeys to thunderous jeers seven months earlier. “I didn’t mind them,” I said. Ashlie had never heard of them.

I was hoping I could turn this into a date, which I did, but I wanted to make sure Ashlie was interested, so I asked her best friend on Facebook who immediately dissuaded me from making any move. So I didn’t, and simply continued my journey at SF State.

Next: My soul phase.

Gorillaz – “Rhinestone Eyes”

When: 24 March 2010
Where: Westbound 29 Bus
Who: Strangers
Weather: Warm, sunny

When I say I miss San Francisco, I really mean I miss the food, which is odd because I never went out due to constant brokeness.

But I always made an exception for El Farolito because it was the closest and the cheapest. I loved that place so much that I went all the way to the Excelsior to get steak suizas right before I was supposed to go onstage back at SF State. This was Tyler Cornfield’s broken mic. And I barely made it. Unable to reach for my iPod as I ran, this song played all the way to the basement of the school.

Next: Monday Night Weekend

Gorillaz – “Stylo”

When: March 2010
Where: My dorm
Who: My roommate
Weather: Mild, sunny

My roommate had moved on to Plastic Beach, and so it seemed had the world. You couldn’t escape “Stylo.” So it was with little wonder that I, so desperately seeking the acceptable sound of this infant decade, latched onto it so eagerly.

One has to remember what early 2010 was like– so many of us had jettisoned the noughties into the sun, and in the posher places like San Francisco men had already begun wearing skinny ties, the young women traded in their trashy wares for sundresses hi-rise jeans. At least they had north of 24th Street. ’90’s nostalgia had crept in, everything new was neon. Electric was the look, as it were, and that misheard lyric was guaranteed to make me smile approvingly.

The new tens had a few kinks to work out. It had already a fashion sense borrowed from a previous era, but a bit more class and classicism would come from another era.

An era made relevant, as we shall see come summer, by a TV show.

Next: Falling backwards into relevance.

Television – “See No Evil”

When: 28 February 2010
Where: SF State quad
Who: Jeannie, Jordon Jo, Ambiguously Jewish Ashlie, and Shayna Rader
Weather: Cold but clear

The sun was soon to set and I was feeling low. My roommate Chris was indulging in another round of Miike Snow, and I needed a break from my marathon of Band of Brothers. I went out, hesitant to go right to the dining hall, so I decided to give Marquee Moona first listen while doing a circuit of the campus.

“I see…I see no…”

I paused as I rounded a corner, noticing my ex-girlfriend coming from the other way before she stopped to talk to a guy who looked like a Chinese Buddy Holly playing frisbee with two lovely hipster girls. There was nobody around, it was Sunday. Desperate for human contact, I threw myself into the conversation, but a strange thing happened. After Jeannie departed, I found myself intrigued by the frisbee game, and more importantly the people playing. I loved them; if I’d met them a year and a half earlier I’d certainly not be as miserable as I was now.

I followed them back to the dining hall, but not before running into their leader, for lack of a better word, Tyler Cornfield. Now there was a name I knew. Though I’d never met him, his name was all over San Francisco. He made things happen. I’d met him once before, people watching outside some embarrassing resident event set to– ugh– the Black Eyed Peas. He concurred, and I made it a point to hang out with him more. Finally I’d metmypeople at this place. And I made it a point to hang out with them as much as possible. I smiled and resumed.

“–EVIIIIIIIILLLLLL!”

Special note: Tyler and Jordon were the founding members of the communal folk band “Wes Leslie and His Deadly Medley;” their story is that of the great and ongoing SF nightlife crisis, which I’ll save for another day.

Next: Electric is the look.

Miike Snow – “Animal”

When: February 2010
Where: My dorm
Who: My roommate and Maddie Lucero-Simmons
Weather: Cold and junk

My roommate was emphatic. “This band is going to be the new Passion Pit!”

Maddie was skeptical. “What about Passion Pit now?”

He relented. “Sure, but if Passion Pit didn’t exist, these guys would be huge!” He was kind of right. I’d heard the song on two different NPR shows before he started playing it in the dorm, and the single overall made a modest splash.

I was very bored.

Next: Passing the torch at SF State.

A Short Way Back

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In the two years I lived in San Francisco, I never drove. But even I knew driving there would be hell.

Sam Ettinger and I were up again before dawn. Hell, we were enjoying breakfast before dawn, at a place called Salducci’s in Lakeport. And nothing could have pleased me more that morning than eating toast while bundled up in winter clothing with a couple of my fellow morning people.

We left Lake County by driving west and then south on the 101, next to the stately tracks of the old Northwestern Pacific Railway. Three counties later, we were hurled off the Golden Gate Bridge and into the City.

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“Were we supposed to pay a toll?” I asked. We never figured it out. Anyway, I was busy giving Sam directions in a city he’d never been to. Eventually we got to a remote corner of town and I treated Sam to a tour of SF State. He agreed that the location was miserable. Then I took the wheel, navigating a maze of double-decker freeways toward Mythbusters HQ and, eventually, lunch at Tommy’s Joynt in Cathedral Hill. There are three things I miss about San Francisco, and all of them are restaurants.

 

Sam crashed at the hotel, in the same room I’d stayed in a year earlier, while I made preparations. My plan for the day was ambitious; to give Sam the full non-touristy San Francisco experience, check out an assortment of bars and restaurants, the whole thing. We were walking around a random stretch of 16th Street when I stopped and pointed out a cafe on the corner of a dead end street.

“What?” asked Sam.

“This is the flower shop,” I replied excitedly. The flower shop was possibly the only real location in Tommy Wiseau’s disasterpiece The Room.

“You know, James Franco is making a movie out of The Disaster Artist.”

“Good,” said Sam, “He’ll do a good Tommy.”

From there, we messed about on J Church. Dolores Park, the streetcar switchbacks, 22nd street. We retreated Downtown so we could attempt to ride a cable car, and more importantly see the spiral escalator at the Westfield center. From there, we began a long night in the Mission District.

Zeitgeist, a mostly outdoor tavern, was always crowded, but in the rain it was even worse. Resigned to sitting on a wet bench, I laid out the next phase of the day. “Here’s what I’m thinking. After this, we have dinner at El Farolito, and I know I always say ‘stay north of 24th,’ but we’re going to go down to a place called the Knockout.”

DSCN1415On Mission and 24th, El Farolito is generally regarded to have some of the best Mexican food in America, and it couldn’t have been better that night, but the trek to the Knockout filled me with apprehension. The first time I found that particular bar was in 2012. I’ve made a point of visiting San Francisco once a year; but the first time was just weirdly off. I was bored and lonely and had ridden the bus too far, so I got out and went into a random bar. Robocop played on a wall of old TV sets while a Fiery Furnaces song blasted over the speakers, so I liked it quite a lot. The second time I visited, I had hoped to have a drink with an SF State friend named Ambiguously Jewish Ashley, but it didn’t pan out. Add to this the fact that it was south of 24th street (where economics, crime, and even the accent changes for the worse), and that none of my San Francisco friends were available. This time, they were showing Robocop 2. The cycle was complete. Sam was thrilled.

Somewhere between 24th and the Knockout, Sam spied a pie shop where we finished the night. We were headed back to the hotel when I was struck by something. “Let’s go to the French Quarter.”

The French Quarter was a tiny neighbourhood Downtown, one that had been there since the Gold Rush. Allegedly, this place was wedged between huge skyscrapers, an oasis of bright neon and savoury meals in a desert of cold, dark, shuttered steel. I’d never seen it myself. We were too full to eat there, but wanted to go see if it was really there and not just some Wikipedia hoax. And then we found it, shining out in the rainy black of the financial district. Satisfied, we left it there.

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The last restaurant I hoped to take Sam to was Red’s Java House. Red’s was the last regular eating spot I found while living in SF, and it gets major points for atmosphere. The restaurant is on a huge, empty pier just south of the Bay Bridge. Most people sit outside, but the walls inside are filled with vintage pin-ups, pictures of old naval ships, and newspaper clippings documenting the City’s violent past. I’m not totally sure I didn’t make it up, and the following morning didn’t prove otherwise because it was closed.

Nevertheless, we had to go home. I knew a falafel place in San Jose, the best falafel place I’d ever eaten at outside Israel. Alas, that was also closed until 10:00 AM. Dejected, we ate donuts at an indpendent movie theater Downtown. I looked around, reminded that I liked San Jose. It does something for me. It’s a nice little city. And at that, we continued our way down the Royal Road, out of Northern Calfiornia, and out of the rain.

“Well,” I said to Sam, “that was the best trip we could have hoped for!”

Dan Meth – “Gimme the Nightclub”

When: 1 December 2009
Where: My dorm
Who: Madeleine Lucero-Simmons and Christopher Harriss
Weather: Cold, foggy

When December came around, there was a real feeling of excitement in the air. It didn’t matter whether I was in Northern or Southern California, everybody was coming together to celebrate: The 2000s were finally ending. And in San Francisco especially, people seemed to care about how they look, how they talk. No more muffin tops, no more manscaping, no more… well, you fill in what you think.

So this song was kind of perfect. I was in my dorm, I tried showing it to my friend Maddie, but she couldn’t get too excited about it.

We all had our own ways of coping. “In Da Club” and 50 Cent in general was a low point for our culture, but here Dan Meth had made something good with it. His production was actually part of a series of mashups celebrating the end of the decade. And unless you were really trashy, that was something we could all cheer.

Next time: A whole new decade, new friends, leaving again, the sudden scary rise of pop revival, and saying “baby we don’t speak of that” like a real aristocrat. 2010.

Vampire Weekend – “M79”

When: November 2009
Where: My student apartment at SF State
Who: Possibly my roommate
Weather: Cool, clear

Vampire Weekend had loomed over me for at least a year. My first roommate, the more eclectic of the two so far, had their album, and at least one of the guys pirated it back in high school. Probably Marc Meehan.

But I was faced with the challenge of coming back into contemporary, 2009 society from a long hibernation, and thanks to a recommendation from the MacQuarrie sisters I started here. I also started listening to SF’s local rock station Live 105, which was somewhat better than KROQ down south but still in the same vein.

I was coming back from buying groceries at the Stonestown Trader Joe’s while listening to this song, and as I returned to my room the same song was playing. I smiled approvingly. I was already on my way.

Next: Was Flight of the Conchords darker, or was I?